Category
Personal
Publish Date
5 Jun 2026

There wasn't a single morning where I woke up and decided "I'm starting a studio." It didn't happen like that. It built up slowly, over years — and honestly, it started way before I even knew what design was.
This is the real story. No polished version of it.
It Started With a Phone App at 12
When I was 12, I downloaded an app called Mimo. Think Duolingo, but for learning how to build websites. I don't even remember why I downloaded it — curiosity, probably. But something clicked immediately.
I wanted to go deeper. So I bought a proper web development course — over 80 hours of content, great reviews, the whole thing. Back then, AI didn't exist the way it does now. Framer wasn't really a thing. Figma was barely on anyone's radar. You had to actually learn the hard way, and I did.
WordPress Made Me Feel Trapped
For a while I built websites in WordPress. It worked, technically. Clients were happy enough.
But I felt limited. Like I had all these ideas in my head and no real way to get them out the way I imagined them. WordPress kept getting in the way. I was building around the tool instead of with it.
That's a frustrating place to be — especially when you're young and you can clearly see the gap between what you're capable of imagining and what you're actually delivering.
Then I Found Figma and Framer
I still remember the first time I properly used Figma. And then Framer. It sounds dramatic, but it genuinely changed things for me.
For the first time, I could express exactly what was in my head. No compromises, no workarounds. The tool got out of the way and let me design. That shift — from fighting your tools to flowing with them — is hard to explain until you feel it.
That's when I started taking things more seriously. I already had a few small clients and projects at that point, but now I actually had the means to do the work justice.
Why a Studio, Though
I didn't just want to be a freelancer who takes jobs and disappears. I wanted to build something with a name, a direction, a standard.
TN Studio wasn't born out of a business plan. It was born out of wanting to own something — to say "this is what I do, this is who I am, and this is the level I hold myself to." That matters to me more than most people probably expect from a 17-year-old.
When I told people around me, most were surprised. Not in a bad way — my family and close friends were supportive. But the surprise was always there. That look that says are you sure you're not too young for this?
Age Is Not the Point
Here's what I want to prove with TN Studio — and I'll say it plainly: age doesn't define the quality of your work.
A 17-year-old can think clearly, design well, understand a client's problem, and deliver something real. I'm not trying to be the exception to a rule. I'm trying to show that the rule doesn't make sense in the first place.
The work either holds up or it doesn't. That's the only thing that matters.
Key takeaway
Looking back, TN Studio was always going to happen — I just didn't know it at 12 when I downloaded Mimo on a random afternoon. Every tool I learned, every limitation I hit, every late night spent figuring things out on my own was pointing toward this. I'm not building TN Studio to prove something to the world. I'm building it because it's the most honest thing I can do with everything I've learned so far.

